The constant that runs through all of my friends music no matter if they’re hugely successful artists or bedroom laptop warriors, are the sweat and tears that go into every song. I will bring 20 years of “A” list production experience to your project’s dynamic impact and competitive advantage. The mix is where all your ideas come together my friends and where your mix engineer takes them a huge step forward. This place is for professionals or anyone needing to finish like one.
Songworx is available to you locally or online through your internet connection. A provided secure password to one of our FTP servers can handle all of your mix reviews and final master delivery needs. We use email, facebook or cellphone to communicate and songworx will email mp3’s or FTP full CD quality mixes to you for your approval. You can even live with it for a while each time you review it for mix balance adjustments. No pressure. This technique is often used by busy producers, labels and touring artists. It works so well, many steady clients will often stay at home even if they’re only a few miles away from my studio. I make remote mixing easy and satisfying.
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I have recently finished mixing an album for Sass Jordan (released september 15 2009) among several indy artist projects as well. Metal superstars “Disturbed” enjoyed their live broadcast mix so much they’ve released an EP of the May 29 2008 event “as is” for their latest release “Live and Indestructible”. In August 08′ I wrapped up a year and a half long tenure as Audio Director and Mix Engineer for DeepRockDrive and mixed all of the artists and bands for DeepRock’s live music interactive broadcasts from it’s 15,000 sqft production facility in Las Vegas. Designed and engineered DeepRockDrive’s production sound-stage and HD studio mix broadcast systems. My mixing and internet audio methodologies were acclaimed as some of the best live broadcast concert sound available on the web. I have a colorful 20 years of major record production experience including a few major record deals and tours as an accomplished bass player. Most notable was my bass work with Judas Priest’s Glenn Tipton for his first solo record and bass sessions with Michael jackson as MJ’s recording engineer. I’ve mixed over 4,000 live music events into the mid 90’s and have crafted records for the last 14 years with many of the great music producers and artists. Today I have a studio at a larger studio’s facility called Threshold Sound & Vision in Santa Monica CA where I primarily mix on my PTHD3 system.
